Monday, 28 July 2025

Theo Paxstone and the Dragon of Adyron FREE for limited time only!

Why, I'd buy that for a dollar... or $3.99! Free? Even better!

Theo Paxstone and the Dragon of Adyron is available for FREE for a limited time only: July 28th to July 31st, 2025. Get your copy from Amazon today!

THEO PAXSTONE AND THE DRAGON OF ADYRON is a fast-paced fantasy adventure that brings together steampunk and medieval myths, pitting noble knights in steam powered battle machines against dragons. Yet the feudal Kingdom of Adyron is mired in injustice, and even the heroes have something to hide.

"Like some sort of steampunk Robotech without the convoluted timeline, the first adventure of Theo Paxstone features an appealing cast of central characters and an intriguing plot that zips along at a delightful pace. The adventure is serious, but Turner lobs some light touches and natural humour into the fray. The book is such an adept balancing act, your "sauce-box" will drop open when you learn it's his first book for younger readers."
Evan Munday, author of the Silver Birch-shortlisted ‘The Dead Kid Detective Agency'

‘This is a charming futurist fantasy that will appeal to young steampunk fans. In a world of ravaged by global conflagration, humankind has reverted to a feudal society powered by steam. An orphan named Theo uses his mechanical genius to find a ticket out of a crowded sweatshop, offering his services to an old knight with a heart of gold. Yes, there is a quest, but no, it doesn't turn out the way you'd expect. It's a fun read enhanced by the author's quirky illustrations.’
Sheree-Lee Olson, author of ‘Sailor Girl’

Theo Paxstone and the Dragon of Adyron FREE for limited time only!Full of dangerous flights, mistaken identities, and kids who show incredulous grown-ups that they are more than able to handle themselves, Theo’s tale should satisfy young readers looking for a bit of speculative escapism.
Kirkus

Because every fantasy adventure worth its salt has a map!


Sunday, 27 July 2025

Populating the megadungeon part four: Pillage your ancestors!

The one, the only... of many iterations now

The Winged Adventure

I have been intrigued by the Castle Greyhawk dungeon since I was a kid. It lives on in my memory as a legendary, ideal dungeon. I never played it, but people talked about it in hushed words. 


But I don’t think it ever existed.


Not as a fully fleshed out, annotated place. 


The longer I work at the mega-dungeon, and the longer my campaign goes on, the more I believe Gygax created a lot of the dungeon on the fly, from barely annotated maps, rough scribbled notes, and on the spot inspiration based on interaction with the players. 


I don’t think the process of a published adventure is the same as the one for a mega-dungeon. My gut tells me that the mega-dungeon is far more fungible, more adaptive, and more ad hoc. It’s in the moment. It’s a living thing, a morphing meme that changes every time you look at it. 


If Gygax had tape recorded the sessions, we might have a solid record of what the player’s experienced. 


The Greyhawk campaign setting, including magnificent map, was developed over time by Gygax and his players. The box set was the most in-depth world building I'd ever seen outside Tolkien.

But my gut tells me that the Greyhawk Dungeon lived in those sessions. Even Gygax probably can’t remember everything that happened, and I doubt he wrote down everything after. 


There have been some adaptions of the dungeon, including a joke one that doesn’t sound at all like what I’d heard the dungeon was really like. 


Later in life, Gygax (as I understand it), revisited the mega-dungeon, but I’ve not purchased or seen any of these products, which he had to do under another game license. 


dnd comic
A shambling mound... why, what a good idea!

Pilfer the Ancestors

Gygax inevitably leads to plundering the idealized ancestors.


It’s also very much in keeping with the tomb raider aspect of D&D: plunder the work of those who came before!


There’s 50 years worth of amazing, imaginative, incredible dungeon design already out there! Ideas for monsters, treasures, traps, adventures, threats, rewards, the works. I read it and think, damn, why couldn’t I think of that? Or worse, I thought I thought of that, but actually someone thought of that decades before I did! This is ever the hazard of fantasy fiction.


It will happen to you, sooner or later. Don’t be too hard on yourself when it does. Millions of people have played the game over the decades, this is a well trodden space, and overlap is inevitable. Think of it more as great minds think alike. 


Initially, when I started my dungeon, I didn’t want to use any online material. I wanted it to be purely my imagination… although my imagination was heavily influenced by what I had experienced as a kid, and I took from that, consciously or otherwise. That’s inevitable. We are the sum of our experiences and what we extrapolate from them.


Phil and Dixie
One of my favourite parts of the old Dragon Magazine: Phil & Dixie!


Fantasy is a great big mish mash of tropes, more so than sci-fi is. Dragons, dungeons, elves, orcs and so on inhabit an awful lot of fantasy stories.


The up side? There’s a lot of material you can shoe horn into your fantasy world without any revision. Most of the time, orcs are orcs, dragons are dragons and dwarves are ornery, drunken workaholics. 


The more rooms I did, the harder it got. I’d say after the first 100 rooms I was really running dry and I started looking for inspiration. I’ve now reached level three of the mega dungeon and… even pilfering, reskinning and repurposing, I’ve run out of steam. 


My original intention was to have an entirely unique, original megadungeon. Easy, breezy, I thought. I’ve written graphic novels and 100,000+ word prose novels. I could do this! How hard could it be? 


Turns out: plenty hard!!!


I went too big. Now, I am contemplating incorporating elements from other dungeons wholesale. 


Fortunately, I have a big buffer built and we aren’t playing that often anymore. Hell, we may never get through what I’ve built so far (such is the power of my OCD autism). 


So… I will wait until my creative tanks refill before tackling level four. 


One thing this project has done is increase the respect I have for anyone who actually has completed a true mega-dungeon. 


"Didn't I see you in the last dozen Fantasy Worlds?"


I will continue to post missives from my subterranean creative journey as they occur.


Next: Good question. Formatting your masterpiece, perhaps? 


The immortal Finieous Fingers and his always relevant door protocol advice


Monday, 21 July 2025

Populating the megadungeon part three: Balanced vs. randomized

 

"I'll take the giant for 500 XP, Alex."

Balanced encounters vs. Randomized threat levels

The current philosophy of Dungeons and Dragon game design is that encounters should always be balanced. You take the party level and from that calculate how dangerous the monster should be. A traditional megadungeon is actually based largely around this idea: first level down is for first level characters, level two is for second level, third for level three, and so on. By the time they reach level ten, they’re tenth level. 


This, however, is only a general guide, and players will often delve deeper before they are prepared to. If you look at some old dungeon modules, you’ll sometimes find significantly more dangerous monsters on upper levels. I prefer this, as it teaches players that there are some threats to be avoided, and not to think they’re at the centre of the game universe (yet). They have to earn that. But you have to let players know the world is terrifying and that not everything is scaled to suit their skill level. They have to exercise their own judgement in deciding when to engage, when to flee, and when to hide. 


Famous last 1st level words: "Come on, you guys! We can take down a 20th level monster if we use the power of cooperation!"

If you do throw in a dragon squatting in the abandoned Dwarven Hall of Grimiron on the first or second level, be sure you give the players plenty of clues as to what lies ahead. Maybe the kobolds worship it, and have built altars, and scrawled their dragon god’s story on the tunnel walls in front. 


You want your players to have the option to quickly retreat if they realize they’re in deep trouble. 


If players insist on being overconfident, or even outright boneheaded, well… I believe killing player characters should be avoided whenever possible, as players invest a lot more energy and backstory than they ever used to. Dying was a matter of course in AD&D. Now? Not so much. 


But the threat of death still has to be there; it’s a vital part of a fantasy adventure. No risk, no reward! Offer players saves and outs and second chances whenever possible. Remember everyone makes mistakes; after all, seeing characters grow and advance is part of the fun! 


If a player does die, do whatever you can to make it meaningful. 


A player dying during a random encounter is pretty anti-climactic. Dying during the boss fight, saving the lives of the rest of the party? That’s epic. 


Always go for the epic and memorable. Stories can come out of good D&D games, ones that will be told and retold in the years to come. Aim for it.


Add breathing space

Dungeons are more believable when they have ‘empty’ spaces. These help build up tension. However, they can’t be (generally) truly empty. They need items of interest, because players get really bored, really really fast. A couple of empty rooms in a row will do it. So be sure to offer clues as to what is ahead (massive scat outside an owl bear or dragon lair, claw marks, offal, broken weapons, stone statues of adventurers petrified by the basilisk down the hall,  the smell of cooking meat, the foul stench of ghasts, etcetera). Maybe the giant ants build geometric sculptures out of dirt to mark territory between colonies. 


I always feel some anxiety that players will get bored. It makes me throw in more monsters, and more varied monsters, than is believable, even within a fantastical dungeon space. I try to use all the tricks mentioned above to keep it exciting. 


Ultimately, I am only trying to make the mega-dungeon passingly plausible. Enough so that players aren’t constantly stopping to say, this makes no sense! That’s death. So always listen closely to your players. They will tell you as the game goes on what works, what doesn’t. You’ll learn the limits of their suspension of disbelief bubbles. 


Count on that!


Evil avalanches... hmm... why, I could use that!

Player feedback

Getting players to clearly state what they like and what they don’t can be a double edged sword. You don’t want to open up the door to nit picking and negative energy. Most players won’t want to give offence, and may pull their feedback punches, or be hesitant to offer criticism at all. 


If the criticism goes to far, it can kill the vibe. As such, it’s better to ask what’s working and what they’d like to see more of, than what they’d like to see less of. 


If you emphasize the positive, the rest will naturally sort itself out. 


The Rule of Three

The Alexandrian (Of So You Want To Be A Gamemaster fame; it's good, I picked up a copy) puts forward the Rule of Three: one monster, one trap, and one item of interest per room. Or something like that. I can't find the original post, but he does also apply it to clues, which is a very good idea, as well. I’ve tried to implement it in my dungeon. 


Unfortunately, I made my dungeon too big, and putting three things in each… after the first 100 or so rooms, that was just too much for the scope and scale I was aiming for. Arguably, the scale I wanted is nuts. Arguably, you only need maybe 10 rooms tops to go from level one to level two, and maybe 20-40 rooms per level after, depending on the monster challenge level and size of your player group. 


So after running headlong into the brick reality wall, I’ve scaled back. Some of my rooms only have 1 thing. Others might have 4. I vary it for the sake of my own sanity and the limit of what I’m capable of without burning out. 

Other posts in the series: 

DM Journal 1: Jumping from AD&D to 5e

Populating the mega-dungeon part one: Mix, match and batch


Monday, 14 July 2025

Populating the mega-dungeon part two: Magic (and story) is your friend

"I don't think this spell does what you think it does!"

Magic is your friend

If you don’t feel like working out a vague ecosystem, just say the dungeons magical. Have the players come across some dedication written by a long dead wizard who forged this magical space. 


Magic can be the answer to almost everything. 


Magic is the Dungeon Master’s best friend.


You don’t need a fully worked out food chain. That’d be an awful lot of work and kind of nuts. There’s no way so many apex predators could coexist in such a small space, there wouldn’t be enough for them to eat. You’d need a dungeon tens of miles across. 


You only need is to establish the semblance, the impression, of an ecosystem. 


...just filled with ravenous man-eating monsters, demons, and pits of green slime.

Backfill a backstory 

Another way to add variety when characters are plowing through an area dominated by one monster type is to add backstory. Sometimes, the need for this only becomes obvious when you are populating an area. 


If the dungeon is old and our orcs from the example are not the original inhabitants, you can layer in elements rom earlier eras. Perhaps the orcs have moved into an old arena, and there are trap doors and a labyrinth beneath for monster holding pens, along with weapons, unspeakable horrors, and undead gladiators. Or they’ve occupied an old prison, or an old dwarven forge. That can spark all kinds of ideas: dangerous abandoned equipment, elemental powered furnaces, cryptic murals, cells with immortal prisoners, torture devices containing undead victims, wall carvings that hint of deeper treasures that the characters are seeking. 


Adding an earlier purpose creates entirely new adventure hooks. Players can take them or leave them. I try to throw in a lot, because many (most) won’t intrigue. But when you have a hit, mine it like a Hollywood executive exploiting a time honoured franchise!


I recommend mega-dungeons be abandoned, repurposed spaces. If you work out the story for the duengon’s earlier inhabitants, it gives you direction and purpose when seeding in elements. The space is imbued with an underlying logic that smart characters can suss out, allowing them to piece together the past, possibly leading to greater rewards.


Getting all that to work can be challenging, and it’s easy to overcomplicate things. That’s what do: I plan overly ambitious backstories that won’t conclude until… uh… maybe level 10, and I start setting them up on level 2. 


By the time I get to level 10 I guarantee I’ve forgotten what the heck I was doing on level 2. 


Fortunately, the players will be your guide, letting you know what story hooks to nurture, and what to let fall away. They won’t remember the threads left dangling because those threads didn’t interest them in the first place.


This also argues for the living dungeon. 


"What will suddenly introducing all this loot into the local economy do for inflation?"


The living dungeon 

Don’t finish the mega-dungeon before you start. Trust me no this. Megadungeons are big, sprawling feats of imagination, almost herculean tasks, and if you try and do it all before players go through, you risk investing too much into a dead end path.


All you need are the first 3 or so levels plotted out. If you’re really ambitious, you might rough out some lower level maps, but you don’t need to plot everything out yet. Plunk in a few monster possibilities so you have some inspiration at hand in case the players get ahead of you.


Instead, listen to your players as they progress through the first 3 levels. See what interests them, and what they couldn’t care less about. Have a bunch of story seeds that you can plunk in, and a vague idea of the resolution, and see what characters latch onto. The mysterious lost tome of the Necromancer? They couldn’t care less about. But the Treasure of the Gorgon Queen? They’re all in! 


Pivot to what the characters are intrigued by and alter the dungeon to fit. This doesn’t mean abandoning what you like. You’re just emphasizing elements you already had, to pull the players in more effectively. 


Remember that the dungeon is a shared space, living in the imagination of both DM and players. Everyone has to be interested, if you want to keep your magic imaginary realm alive. 


Another issue is that players level up much, much, MUCH faster than in AD&D. You needed a lot more treasure (you got XP points for treasure back then) and monster kills to advance then. To reach level 2, some classes needed 3,000 XP. Now, everyone only needs 300 XP. 


This means your characters may advance in levels musch faster and more erratically than you might be prepared for. You then need to buff up the dungeon denizens as players have outpaced the challenges you originally set. 


Phil and Dixie
Another fabulous What's New strip with Phil & Dixie, from an ancient copy of Dragon Magazine

Other posts in the series: 

DM Journal 1: Jumping from AD&D to 5e

Populating the mega-dungeon part one: Mix, match and batch